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[member=380]perc2100[/member] - I am adoring your thorough, thoughtful and fun discussion - and now think YOU should do a panel!
5. I really think Hall H needs to be utilized way into the night, with breaks for cleaning.
While that would be cool, that won't happen as studios hold their rehearsals with the Hall H AV techs a few hours after the last panel of the day for anything they are screening the next day. They'll play their trailers 10 or so times, tweaking the sound (usually asking for it to be louder, lol, much to the chagrin of the techs), and often don't finish till well after midnight.
I have several, somewhat opposing feelings and questions about the big studios at SDCC.1. Makes it more difficult to get into Hall H and see a panel that is before one of the “biggies”. 2. Do the studios actually pay for the panel time in Hall H or Ballroom 20?3. I would like to see some unexpected things in Hall H- a concert for instance.4. Maybe their performance - however poor- would have been even worse if they had NOT shown up? 5. I really think Hall H needs to be utilized way into the night, with breaks for cleaning.
4. It’s better to not show up than to show up and flop.If you flop, you start off with bad buzz and have an uphill battle to promote your show/film. If you don’t show, there are other opportunities out there. The stage may not be as big, but there are alternatives.So most want to go IF they can do it right. With hundreds of TV shows and movies at SDCC, it’s hard to get noticed for doing a good job. You have to do GREAT job to get the attention to justify all the extra effort to bring the talent, create new clips, organize a ton of press days and all that goes into bring a show to SDCC.